Showing posts with label Horror. Show all posts
Showing posts with label Horror. Show all posts

Sunday, November 7, 2010

Shadows of the Emerald City is Out Now!

Shadows of the Emerald City (Northern Frights Publishing) is out now!

DETAILS:

Paperback: 336 pages
Publisher: Northern Frights Publishing (October 15, 2009)
Language: English
ISBN-10: 0973483717
ISBN-13: 978-0973483710
Product Dimensions: 9 x 6 x 0.8 inches
Shipping Weight: 1.1 pounds
Price: $15.95

 
"No other story has touched as many hearts and endeared itself into the American fabric as The Wonderful Wizard of Oz by L. Frank Baum. Often toted as America's First Fairy Tale, this heartwarming classic has been made and remade again and again across every medium known to man. The themes are timeless, the characters themselves beloved.

But like all fairy tales, The Wonderful Wizard of Oz has one foot planted in the fantastic, and the other foot planted in blood. Explore the darker side of Oz...the parts too terrifying or obscene to be told as bedtime stories.

Here are 19 tales by some of today's hottest Indie writers peeling back the emerald layers of the land of Oz and revealing the pink, bloody flesh beneath. Some of the people and places you may recognize from your childhood, but you won't believe what happens to them.

 Shadows DO fall in the Emerald City, and where they are their darkest is where you will find the true terror of Oz.

Featuring Stories by:

Mark Onspaugh, H.F. Gibbard, Rajan Khanna, Camille Alexa, Gef Fox, Martin Rose, Michael D. Turner, Frank Dutkiewicz, Lori T Strongin, Barry Napier, Travis L. Barrett, Mari Ness, David Steffen, David F Mason, E.M. MacCallum, JW Schnarr, Kevin G. Summers, Jack Bates, Jason Rubis

This is, first and foremost, an anthology of horror stories.  And readers looking for something different in a horror collection, a collection that achieves this not only through the unique background of Oz but through a variety of tales and story modes, will find a sinister pleasure in these excursions over the rainbow.

--M-BRANE SF

Shadows of the Emerald City, JW Schnarr’s 19-story anthology about the dark side of Oz, offers a sense of Oz’s continuing expansiveness as well as a satisfying number of characters that yearn to be part of the enchanted land.

--Senses Five Press


JW Schnarr hit it out of the park with this collect of macabre, dirty, perverse, corrupted stories. I have never paused while reading to say, “That is so f’d up!” so many times before while reading an anthology. And I meant in the nicest way possible. Though, nice is not a word to be used with this anthology—ever. 5/5

--Jennifer Brozek, Apex Book Company

The bloodstained yellow brick road begins and ends somewhere close to the concrete of Calgary, Alberta! Definitely a solid collection that reminds you that there is a lot more than ooze and awe's in the Scary old land of Oz.
--Steve Vernon, Author of Maritime Monsters

A selection from "The King of Oz" by Martin Rose

The King of Oz
by Martin Rose



O
h, how she loved the fire.
   Blue into yellow, into orange and red. Her temperature ran cold           like her blood, but the flame gave life, parted her lips and drew her breath in fast, hitching with anticipation. In the burn ward, she continued to play with fire, and in the haze, David Gale flinched and repelled at the sound.
Click, click.
The steady click-click of a hand-held lighter permeated his dreams, his nightmares; he smelled lighter fluid, saw the flame between small, feline fingers, a wide, gray eye watching him beneath her bandages.
He woke up long enough to ask her if he was dying. She laughed and pressed her soft hand on his unburnt arm. The touch reassured, soothed, and awakened ancient memories of his mother with Scarecrow in the field.
He slept without rest or satisfaction, skin like crispy fried chicken, pulled taut over his muscles and organs. He breathed in the steady rhythm that reflected his pain, breathe in, throb, breathe out, throb. He hit the morphine button, a fresh stream of opiates entered his blood, and he fell into dissatisfied sleep once more.
He dreamt of the burning house, trapped with the black-haired woman, his fire fighter uniform ablaze, until only ashes remained.       


By now, David Gale understood he was not human.
They skirted his dreadful secret with gauze and Demerol. His skin pulled apart like Christmas wrapping paper, tendrils of straw visible beneath his skin — snapped strands working their way through his wounds. How long until they found him out, while he lay like a slab of cooked meat on the gurney?
His weeping skin pulsed and throbbed as he pulled back the gauze. He groaned, his naked wound exposed to the cruel air while he fumbled with the IV drip, pulling it from his skin with a hiss, his motions weak and numb with drugs.
He came face to face with the pyro, a swatch of bloody, pus-filled gauze in his fingers.
Fear bloomed; he could not stop her as she leaned over him, pushing his weak fingers away where he had torn the dressing apart. Her hair and skin, burned away, and the twisting scars of flesh peeked from a mire of bandages, covering the eye the doctors could not replace.
You shouldn’t tear yourself up like that, you —”
She stopped and stared.
You got beneath the skin, didn’t you?
He thought it; in the next moment, he realized he’d spoken.
She reached for the button on the wall, but he summoned the strength to take her hand, snapping it out of the air.
“Don’t call them,” he hissed.
“You’ve got straw in—”
“I know. It’s me. It’s me, don’t you get it?”
She did not.
It’s a part of me.”
She stared at the open skin, burned and melted like mozzarella on an overdone pizza, with bits of straw poking up through the surface. She extended a hand, and he felt the cool pad of her finger against the inside of him. He shuddered.
She withdrew her finger.
“Keep it secret,” he begged.
He steeled himself for screams, for the doctor and a thousand curious scalpels come to tear him apart; but to his astonishment, the pyromaniac said nothing, but pulled up a stool and sat beside him. She played with her lighter, passing her fingertips through the flames with an expression of ecstasy, her lips parted in her freakish, burned face.
He passed out.


He dreamt; a place he has never seen.
His bare toes sink into an unfamiliar earth, but he feels, deep in his blood and his marrow, that he does know it; that this grass and this sky call and pull and suck at him, want him for their own. A few steps more, and he could be there, he could be in the place his mother dared not let him venture, the place the Scarecrow could not return to.
He takes a step, one following after the other, happy to leave behind him a thousand sorrows, his mother’s tears and the Scarecrow nailed on the cross in the field, with the lopsided smile. Happy to forget the persistent stare of the Scarecrow’s mismatched eyes that found him through rain storms, through warm summer evenings while he played, and window panes as he bent over homework — his presence destroying each moment as it elapsed.
On his right, the cornfield extends into Oz, and a groaning reaches him. Dust swirls around his bare feet as he stops, and turns to confront the scarecrow by the side of the yellow brick road. A quick glance ahead of him reveals an endless line of crucified scarecrows leading into an infinite distance, all the way to Emerald City.
He moves toward it — the world eclipses, coalesces and fades, and the scarecrow calls out to him—


The pyro’s voice.
He turned his head and saw her. She wore a wig, whose loose hair clung to her face, and she looked tired as she leaned over him. She looked younger without the bandages covering her burns and scars; he could see enough unburnt skin to know she had once been beautiful. Her nose remained intact, but her left eye was gone; above that, a rising surface of ropy scar tissue that moved into her scalp.
He didn’t ask her to see where she had brought him; he was back in the house in Kansas.
What had compelled her to bring him to this place? She didn’t know about the harsh violence of this world in the Midwest, the sowing, the reaping, the scarecrow nailed in every field and the worst one yet to come, the straw man of his youth: The Scarecrow.
She reached up and pulled the hair at her cheek, thick and black. It slid from her scalp, and he watched, mute, until her head was naked beneath the weak light of the bare bulb.
“You passed out, and I put my ear against your chest. What I heard was a heart; but not a human heart.”
Her voice trembled.
Not a human heart. Something more fragile, packed in sawdust and straw. I took your chart, and all the pages, and when I saw your grandmother’s name —”
“Gale . . .”
The word escaped from him in a sigh. He turned away from her, thinking about the straw beneath his skin, harboring a thousand memories he could not voice — the curse of that name, and the Scarecrow. He did not have the words to express a youth endured as a stranger in his own home, a suspicious interloper of Oz blood, with his mother’s eyes, but not her husband’s heart.       
“It’s not a fairy tale. It . . . claims you. Takes you. Destroys you. You call this straw life? How long do you think my lifespan is?” He touched the bandages, where the pain flared beneath his fingers, and he turned away, biting his lower lip.
The pyro flicked the lighter open, and the flame licked upwards. She enjoyed it with her eyes.
“When I was ten, I set a chicken coop on fire. It happened by accident, and I never told anyone about it. I began to look differently at fire, and all it was capable of—and it seemed an itch I could not scratch, I thought about those bright, glowing embers whenever my life was heading in the wrong direction. I was never abused, or beaten, or hurt, I don’t take drugs and I don’t even drink. Some people are doctors, or artists, or scientists—but I love fire.”
Her hand moved over the burnt and coarse surface of her scalp, where the skin was mottled and distressed.
“I have never belonged here,” she spoke with a burst of passion. “I have never belonged in this boring, ordinary world, and I said to myself, what kind of person puts out fires? I imagined you were a soulless sort, an empty-headed fool, set to extinguish everything I set alight.”
With a shaking voice she described her failed suicide attempt by fire, her crushing disappointment to encounter David in the smoke, pulling her through the square of light and back to the life she disavowed.
“If you’re going to save my life, make it worth the effort — take me to Oz; take me to the Witch, or I’ll set the world on fire.”

A selection from "not in Kansas Anymore" by Lori T. Strongin

Not in Kansas Anymore
by Lori T. Strongin



T
he girl raised a cigarette to her bright red painted lips and took a
long drag, then slowly allowed the smoke to escape into the light rain
soaking Oz. She imagined dragons dancing upon the thick, fragrant fog, their voices whispering of another time, another world.  In the distance, a yellow glow shone in the near-darkness, rising from the earth. Twining like a snake.  A cold breeze rustled her black robe, and sent chills along her twisted spine.
The other woman sat huddled on a broken patio chair, fingers trembling around her half-empty glass of Oz-Berry wine. Her faded pink kimono did little to protect her from the rain. 
“We should’ve smoked inside.  Why’d you want to come out here?”
Damp brown hair fell over her shoulders.  The red-lipped girl took a final drag and flicked her cigarette off the balcony into the seemingly endless darkness.
“I like to get out of there once it calms down.” Her gaze dropped. “You know I can’t stand the silence…”
The words didn’t need to be said.  After all, Glinda had been there, all those years ago; had watched what that green-faced thing did to her.
And didn’t muss a single golden curl to help, the bitch.
The sky had looked the same back then—heavy with rain and faded memories.  She hadn’t known then that Oz was the place where youthful innocence went to die; where broken glass met broken hearts, and blood was just graffiti on emerald green walls.
The screen door slammed open.  Heavy footsteps splintered the wooden planks beneath metallic feet. 
“Damn it, I’ve been looking all over for you, Do—”
“Don’t say that name!” 
The Tin Man nodded and adjusted his funnel hat. 
“Almost forgot.”
She regretted extinguishing her cigarette. 
“You were looking for me?”
“Oh, yeah.”  He shifted, rusted hinges creaking.  “Boss Man says you’ve got another set tonight.”
“Screw that!  I’ve done three already.”
“You don’t like it, take it up with the Wiz.”
Tin slammed the screen door behind him. 
Silence.  Not even the pervy Munchkin peepers inside the club made a sound.
Glinda took a shaky sip from her wine glass. 
“Four sets ain’t so bad.”
The red-lipped girl had a vision of ripping those big blue eyes right out of the blonde’s skull. 
She walked back into the ramshackle club, ignoring the leers and catcalls of Winkies and Quadlings, and kicked one overeager Gilikin in the crotch.  The pounding throb of drums hurt her ears.  A spotlight followed her every movement.  But then again, hadn’t it always, ever since she first came here?
What she wouldn’t give for a chance to go back and make things right.  Tell the wizard to screw himself and find her own way home.
Home.
Oz had the power to make people forget.  Already she’d lost the faces of the woman who beat her and of the man that had initiated her into womanhood at the ripe old age of thirteen on a pile of filthy straw in the hay loft.
How sad was it that she’d rather go back to her auntie and uncle than live in this magical place?
“Ladies and gentlemen,” the announcer’s voice echoed over the gramophone. “Flatheads and Cuttenclips of all ages. She defeated the Wicked Witch of the West with her bare hands. She crossed the Impassable Desert just to be here tonight. Give it up for Oz’s first and last royal, the Lost Princess herself, Kansas!”
A new song spilled out of the music box, this time slow and sensual. She stepped onto the rickety makeshift catwalk, running her calloused hands across her stomach and thighs. The black silk felt cool under her fingers and more real than anything else she owned.
The tempo sped up. Kansas let the robe slide off her shoulders. The blue checkered teddy barely covered her tits, and hardly anything further south. Damp pigtails slapped her face and her prop wicker basket was so old it sagged every time she swung it.
Her shoes, though. Those still shone silver, tinted like the harvest moon rising above her aunt and uncle’s farmhouse, back when her life made sense.  Back when she gave a damn if she ever made it home again or not.
Come on! Dance!” someone shouted from the crowd.
Shake it, baby! Yeah!
Take it off!
She obeyed. What else could a lost farm girl from Wichita do?


Rain spattered against the covered the patio, the awning just wide enough to keep her cigarette dry. Dawn rose over the horizon. Another day, another dollar down her g-string, and another man thinking he had the right to take her to bed.
She may have bruises in the morning, but that Pumpkinhead would never get it up again.
“Dorothy?  Dorothy Gale from Kansas?”
She growled, fingers bent, ready to claw the bastard that dared say that name.
Kansas spun around, ready to lunge.
A scrawny figure stood in the rain, jaunty hat cocked to the side and painted smile wide as the day they’d met.
“Scarecrow?”
“In the flesh! Well, straw, at least.”
His voice had so many echoes—of friendship, of happiness, of comfort, and all the things Kansas had left behind long ago.
She felt like her fourteen-year-old self as she ran into his arms. Kansas didn’t care who might be watching, or if his straws poked her skin. It didn’t matter. He was here.
“Sweet crow in the morning, I’ve missed you.” He released her and took a step back. His black-button eyes raked her up and down. “What’s happened to you, girl? You look like something the barn cat coughed up.”
Still clad in her costume, she was inclined to agree.
“Where have you been, Scarecrow? I haven’t seen you in an Oz Age.”
The painted smile slipped.
“I’ve seen you.”
“You have? When? Why didn’t you come and say hi? I thought the Witch—”
His gloved hand covered her mouth. He smelled like damp grass and singed leaves.
“When’s the last time you left Shiz?
She couldn’t remember.
“What’s the point in leaving? Here I get food, a bed, and smokes.”
Scarecrow shook his head.
“There’re posters of you all over Bunbury City. Everyone knows your name and rumours are flyin’ about this place.”
Was it bad if Kansas didn’t care if someone found her?
“So?”
“If they find you, they’ll kill you.”
Kansas looked away.
“Dorothy—”
Don’t call me that!
He backed away, hands raised.
“You’ll always be Dorothy to me.”
It was too much. His kindness was more than she could bear. She had to get out of there. Away from old wounds.
A straw-filled hand grabbed her shoulder.
“Let me go!”
“Not ‘til you’ve heard me out.”
Slapping him wouldn’t work—he couldn’t feel pain.
“I swear if you don’t let me go right now, I’ll set your hay-covered carcass on fire!”
His hand didn’t slip.
“You can’t be happy here. I know you’re not. And you deserve better than this.”
The fight flooded out of her.
“What does it matter?”
He cupped her face. Great Oz, how long had it been since someone touched her with tenderness?
You matter. I think you’ve forgotten that.”
She swallowed.  “Oz makes people forget.”
“Good thing I’m not a people then.” Scarecrow reached into a tattered pocket and pulled out a piece of parchment. “Here.”
Kansas reached for it, hand shaking. Why did she feel that something bad was about to happen?
Oh, right. It’s Oz. Bad things always happen here.
She unfolded the thick paper. Curved shapes scored the cream-colored sheet, swirling like cigarette smoke. If she squinted, she could almost make out a rocking chair and striped sock from the jumbled nonsense.
“You an artist now?”
“Huh?”
“Looks like doodling to me.”
Scarecrow looked confused.
“I don’t get it. How come I can read this and you can’t?”
Kansas couldn’t care less.
“Well? Don’t you want to know what it says?” He didn’t wait for her to answer. “It’s a map. A treasure map.”
Wonderful.
“Well, have fun with that. I’ve gotta get some sleep. The Wiz has me working a double tonight.”
She turned to leave, knowing she’d probably never see Scarecrow again. Hay-headed idiot’ll probably get himself picked apart by flying horses or something.
“It leads to a time portal!”
Kansas stopped, silver shoes glued to the porch. Did he just say…
He spun her around, childlike enthusiasm in his every glance, every word.
“It’s where I’ve been all this time, looking for a way to get you back home after the slippers turned out to be a hoax. I remembered what you told me once about wadges.”
It took her a minute to translate his words. “Do you mean ‘watches?’”
“Yeah, those timey-whymy things you said people used to change the time.”
Just like that, her hopes crashed and burned. Served her right for letting herself get carried away, even for a second.
“You can’t change time with a watch, Scarecrow. It doesn’t affect anything.”
“Maybe not where you’re from,” he said, grin ridiculously wide. “But they do in Oz.”
Kansas didn’t know whether to believe him or get him a good stiff drink.
“Tell me more.”
“The map leads to the Time Dragon. It’s a ma-chine that makes time. All we gotta do is find him and ask to turn back the Great Clock to before you came to Oz. It’s as simple as a cornfield!”
“You’ve forgotten one thing, Straw-for-Brains.” She crossed her arms. “We do that, the Witch comes back to life. Remember what Oz was like before I doused her?”
“Yeah, I do. Animals were free to speak, the Emerald City had jobs, and you didn’t have to wear things like that just to earn a couple o’buckeroos.”
Kansas’ breath caught in her throat.
“Are you saying what I think you’re saying?”
Scarecrow took her hands in his and gave them a little squeeze.
“Yup. I’m sayin’ we ask the Time Dragon to send you home and bring back the Wicked Witch of the West.”


A selection from "Scarecrow's Sunrise" by Gef Fox

Scarecrow’s Sunrise
by Gef Fox



T
he sackcloth of a long night’s sky turned to a bruised crimson of a
coming dawn. Mazy, a Munchkin farmer, looked through the window
of his workshop and frowned with fatigue and fear. The Good Witch of the North would return when the sun fully rose, and Mazy had yet to finish the scarecrow she had requested he fashion for her. She had been very clear in her request: Have the scarecrow ready by morning. When I return, you will be rewarded for your efforts.
A headless effigy stuffed with straw lay atop his workbench, as he stood with his back to it. All four boneless, lifeless limbs stretched out from the body, as if racked in a Munchkin’s answer to a torture chamber. The construction of the body had been easy enough. She even provided the clothes to be used. Mazy was skilled in making strawmen, as many watched over his vast cornfields through Munchkinland. This, however, was the first time he had ever made one for someone else. This time for the Witch of the North, no less.
The Good Witch, he reminded himself as he peered through his window.
Before turning back to his task, he noticed the Good Witch’s Tick-Tock Man standing guard at the end of the cartroad to his farm. The mechanical servant had been a stoic guard since the previous evening when Mazy began his work on the scarecrow. A watchful eye afforded by the Witch to be sure no one disturbed him. Mazy couldn’t fathom why it was necessary for a guard to be placed on his property for such a menial task, but that was before he had witnessed the result of his latest creation. He needed to finish the scarecrow and he was running out of time.
“What manner of witchcraft have I tangled myself into?” he whispered.
He stared at his work. Next to the body, above the neck, sat a burlap sack stuffed with straw and bran, as if severed from the body by an axeman. It rested on it’s side, detached from the body, adorned in a singed cap. A single painted eye stared in Mazy’s direction. When it blinked, the old corn farmer winced.
“Be calm, you old coot,” he said.”’Tis nothing but a scarecrow.”
But it wasn’t just a scarecrow. Not this time. The burlap sack which was to be the head was the third Mazy had used through the night. The heads were always the finishing touch—start from the bottom and work your way up, he always told himself. Now, his hands tremored at the thought of going near the thing. The abomination, he thought.
It was well into the night when he started on the first would-be head. He painted a meager grin—a curved line to show a smile was all it was—on the stuffed sack. No sooner had he lifted his narrow paintbrush from the fabric, however, when the grin erupted into animation.
I can’t see! I’m blind!” it cried out.
Mazy’s heart leaped in his throat and he had visions of an early grave. He snatched the screaming sack by it’s scruff and hurled it into the fire of his stove. He watched it vanish in a fury of flames and sparks. It took ten minutes for his pulse to come back down to something less than a hummingbird’s heartbeat.
Calmed, and sure the apparition of a talking burlap sack was due only to a case of nerves from working for the Good Witch, Mazy started again with a second sack to fashion. Serving the Good Witch of the North was a more intimidating experience than he’d first suspected.
When he started on the second would-be head, he stuffed it with straw and bran by the fistful, as if stuffing a turkey with onions and breadcrumbs. Once he had the general shape of the head he wanted, he reached for his paintbrush again and set about painting a mouth. Nothing fancy this time—if the previous curve of black ink could be called fancy. With a deliberate slash of his brush, he drew a simple straight line. It was less a mouth than a mark to show where a mouth should go. Mazy watched it for a moment, then carried on when he was satisfied there would be no strange movement.
He dabbed the brush into a jar of black paint, ready to start on the nose next.
“What just happened? I felt burning! Am I burning?”
Mazy’s body shuddered and he fell from his perch on the stool. The brush flew from his fingers and struck the wall across the bench. A streak of wet black paint tattooed the wall. He snatched the panic stricken sack with his own panic stricken hands, his heart sending waves of terror through his limbs even more so than before, and hurled the sack into the waiting flames of the fire. It’s screams were silenced by the rush of flames that engulfed it whole.
He looked back at the scarecrow’s puffy, clumsy, and still headless frame, wondering if it too would spring to life. It didn’t move.
“Oh, this is some foul witchcraft,” he said. He wiped his brow while his body trembled.
An ember in the stove cracked like a gunshot, and Mazy let out a yelp akin to a scalded dog and fled into the chilly night air outside his workshop. His goose-fleshed skin became awash in pale blue moonlight. A million and one stars winked knowingly above him. Minute by minute, his breath steadied, as did his heart.
“Ozma, preserve me,” he prayed aloud.
At the mouth of the cartroad, movement. Mazy’s heart bounced in his chest once more, as a shadowy form approached. The Tick-Tock Man came into view with a lurching march. It stopped only inches from the old Munchkin farmer. Mazy took a step back. The Tick-Tock Man looked downward slightly to meet the farmer’s face.
“Is it complete?” it asked with a voice made of mechanical hums, whirs, and clunks. Nothing close to a living voice, but unmistakable. And nothing like the unholy sounds that had come from the scarecrow’s two would-be heads.
“No. No, it ain’t. And it ain’t gonna be,” Mazy answered with a faltering defiance.
“You made an agreement,” the Tick-Tock Man said. It’s gear-ridden face stared blankly.
“Aye, I agreed to make a scarecrow. But, I didn’t agree to have the buggerin’ thing come to life. That Witch of yours has cast a horrible spell on my work, and I’ll have none of it.”
A puff of steam flitted from the side of the Tick-Tock Man’s head.
“You made an agreement.”
“Wizard’s whiskers! I heard you the first time.”
“You must complete your task. War is coming.”
“What? W-war? What in Oz are you on about?”
Another puff of steam came out of the mechanical servant’s head.
“After sunrise. A child soldier will come. The child will kill the Wicked Witch of the East. This child will lead an army that will conquer both East and West.”
Mazy’s jaw gaped. He looked eastward through the waning darkness, in the direction of the Wicked Witch’s castle. It was beyond his sight, hidden behind the rolling hills of Munchkinland, but he saw the first hints of sunrise. And clouds coming with it. A red sky, and growing redder.
The Tick-Tock Man turned it’s head and looked in the same direction.
“The child soldier will come on a cloud. The cloud will be her weapon.”
“Great Glinda. Her? The child soldier is a girl?” A new chill swept Mazy’s spine.
“Yes. It has been prophesied by the Great Wizard.”
A feeling of enormity washed over Mazy, one which dwarfed his initial shock at seeing the scarecrow’s heads come to life.
“That still doesn’t tell me why my scarecrow wants to live,” he said.
“It is not your scarecrow. It is a charm of the Good Witch of the North. To guard the child soldier.” The Tick-Tock Man lumbered past Mazy to the doorway of the workshop and pointed to the workbench and the unfinished strawman.
“Do you see the clothes it wears?” it asked.
“Aye, I see,” Mazy answered, and peered through the shadows. He kept a healthy distance from the door, though.
“It is the uniform of a fallen soldier. A great soldier of Oz who died at the hands of the Wicked Witch of the West, in the battle for the Emerald City many years ago. The Good Witch of the North blessed the remains of the uniform. It now carries the spirit of the soldier.”
Mazy stared into his workshop with wonder. “It surely didn’t sound like a soldier when I painted it’s mouth.”
“It will learn. It will take two days for the soldier’s instincts to return. That’s when it will meet with the child soldier to help lead her army.”
Mazy might have run away at that point if his legs were steady enough or youthful enough. Given his state, all he could do was stand in awe.
“This is too much for an old farmhand like me,” he said.
“You made an agreement,” the Tick-Tock Man said once more. “The scarecrow must be ready by morning. The Wizard of Oz has prophesied it. The Good Witch of the North has blessed it. And you, Mazy of Munchkinland, you will build it.”
He watched in stunned silence as the Tick-Tock Man returned to his post at the mouth of the cartroad. Mazy’s mouth failed him in his desire to protest. Defeated, he walked back into his workshop and fashioned the third burlap sack, which was to be the scarecrow’s head. It was this third head with a single painted eye that watched him now.
It was madness. This abomination. An Oz soldier brought back from beyond death to fight once more. And in the form of a strawman, no less. Now, with the sun slowly rising and the clouds to the east more red than ever, Mazy looked at his work and wondered how he could build such a thing. It was madness.
Then a thought struck him, as the scarecrow’s painted-on eye watched him with unwavering attention. Twice now, he’d torched the living head of the scarecrow, and now the third head lived in silence watching him. The second head had the memories of the first—it had felt the fire not once, but twice. Impossible, but undeniable. This third head, which Mazy had intentionally left mouthless for now—he couldn’t bare to hear it’s panic-stricken voice again—would surely carry the memories again. And the single eye saw it was he who had burned him.
“You’re almost finished, old timer. One way or the other,” Mazy muttered to himself. “Finish what you started and be done with it.”
Either the scarecrow soldier would do him in once finished, or the Good Witch of the North would fail to live up to her name if he defied her request when she returned. Paint a happy face, he thought. Paint a face that couldn’t kill.
He picked up his paintbrush off the floor and wiped it clean. With another dab of black paint, he drew a second egg-shaped circle and splotched a pudgy dot in the center. He drew back and watched, as did the scarecrow’s first eye when it blinked into life. The wet paint that was now a pupil lolled around the borders of the newly drawn eye until it aligned with the first. With one more synchronized blink, they both looked up at Mazy with a wide and relentless stare.
The air in the room became dizzying for a second and Mazy had to steady himself with a hand against the workbench.
“You’re almost finished,” he said.
He dabbed the brush in the paint again and drew an upside-down “V” for a nose, with two small dots as nostrils. He watched it wiggle with life and prayed it couldn’t smell his fear. His hand betrayed him as it refused to hold steady when he dips the brush into the black of the pain one more time. The scarecrow’s eyes watched him the entire time, steady and accusing from under the tattered cap the Good Witch had provided. A piece of a dead soldier’s uniform.
Mazy brought the brush back to the scarecrow’s disembodied head and drew, a final time, a simple straight line that would be it’s mouth. He dropped the paintbrush into a jar of water and distanced himself from his workbench. He watched and waited. He stood his ground several feet from the scarecrow and would have gone back even further if not for the heat of the stove permeating against his backside.
The line he drew was squiggled due to his frayed nerves. It twitched. Even from several feet away, there was no mistaking it. Then, it burst into life with a thunderous, “Ooowww!
The cry of pain sent Mazy scuttling to the floor for cover, sure he was about to reap what he had sewed.
“That really hurt,” it said. Still detached from the rest of it’s body, the head remained face-up on the bench, looking towards the cobwebbed rafters.
Mazy tentatively rose from his spot on the floor, confused relieved he hadn’t been killed.
“What hurt?” he asked through a hoarse whisper.
“That...burning. What happened then? All I remember is my first words, and then something grabbed me and put me in a hot place. I was covered in...burning.”
The head fidgeted a moment then rolled to it’s side, so it was facing Mazy and the outline of the stove behind him.
“That? I wouldn’t know about that,” Mazy said, dusting himself off. “It must have been someone with a match.”